Live theater performances are important, and needed; especially in modern society where people are often glued to their phones. Theater demands presence-- it's an immersive experience that requires the audiences' full attention from start to finish. There's a special kind of energetic exchange that takes place between the audience and actors. Together it creates a beautiful moment of connection and engagement through the art of storytelling. This post marks my official journey into spotlighting thais sphere of artistry.
As I enter the realm of theater reviewer, I look for the same kind of guideposts that moved me in cinema and television-- performances that offer vibrant and complex characters and stories that linger with me long after the show ends. Which brings me to the indie theater production I enjoyed on 44th Street, just a few blocks away from Broadway, in a tucked away upstairs theater that feels like the kind of place where you might find your next favorite artistic gems hidden. A Sketch of New York is an ensemble cast piece written and directed by Jo DiNozzi and Darien DeMaria. It plays out as a snapshot of vignettes about various creatives experiencing life and auditions in the big city. The play itself isn't revolutionary in its structure-- but that's not exactly what I was looking for or expecting. I came to see what actors would wow me with their portrayals in this standard tale of "making it." I don't think you have to reinvent the wheel in order to offer a quality theater experience. There's something endearing about seeing how actors can elevate and stand-out in the most basic story material. Sometimes that the best thing a playwright can do is create space for actors to shine in these "everyday" roles.
A trio of actresses stood out the the most to me in A Sketch of New York: Anye Young, Chase Mercedes and Clara Kelley.
If I had to pick a star in this show it would be Anye Young.
Young's on-stage presence radiated charisma and confidence. There are some actors who simply beam and have that spark, or aura, that you can tell that they'll go onto even more bigger productions. Young had that "it factor." Young possesses comedic chops, and a flare for the dramatic as well. She stood out amongst her castmates as the one most likely to be seen in a Broadway show. She's the closest in the bunch to make that jump.
Chase Mercedes was more subtle in her approach. I could see her easily finding a niche in both theater and cinema. Her performance offered that under-the-radar gem that I had hoped to encounter. There's talent clearly there-- and with more practice under her belt she'll find her stage power on a whole new level. Mercedes is bound to be on those One to Watch lists. I'm excited to see where her acting career goes.
Clara Kelley might be the most well-rounded character actor of the show. I could see her range on display in the few scenes she had. Her stage presence is noteworthy.
These actresses were the bright spots of this indie theater production and I wanted to acknowledge their work. As someone who is well-versed in cinema, but newer to the NYC theater scene I know that some things are universally true-- you know and feel talent when you see it, and more importantly feel it, because good storytelling touches the heart.
Beyond the show itself, I found the theater space of the Producer's Club charming in its authentic vibes. It had a real indie spirit to it. I look forward to watching more shows at this location. For more info about this Off-Off Broadway venue check out www.ProducersClub.com
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